Or, perhaps you remember the score he composed to accompany Mary Oslund’s choreography for “60 Seconds,” which Oslund + Co./Dance performed almost exactly four years ago. Mary received an NEA grant for that work, of which Catherine Thomas wrote in the Oregonian:
Set to an original score by the electric violinist Daniel Bernard Roumain, "60 Seconds" is a torrent of overlapping movement filling all corners of the stage. Bodies rushing in retrograde, pushed into ricochet or fast rewind. The eye fixes on little cinematic oddities: a curious, stretched-out walk, spine bent back to extremes; a single arm dangling in the air as if it's leering at the viewer. All this against Roumain's romantic score that sounds steeped in another time: mournful, nostalgic, a languid daydream pushing the edge of hard and loud.”
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